Beth E. Wilson
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Articles and Blog Entries
Beth E. Wilson visits the Philadelphia Museum of Art to see the exhibits of works by Frida Kahlo and Lee Miller.
Photographer Nicholas Walster discusses his most recent series of works, Personal Panoramas.
Beth E. Wilson reviews “Intimacies of Distant War” at the Samuel Dorsky Museum at SUNY New Paltz and examines the recent dust-up over Wafaa Bilal’s exhibit “Virtual Jihadi” at the Sanctuary for Independent Media in Troy.
Beth E. Wilson profiles photographer Jared Handelsman.
Beth E. Wilson discusses recent art shows at the KMOCA in Kingston and the R&F in Kingston.
The Garrison Art Center will be holding the exhibition “Drawing Revealed” showing many different drawing styles and techniques.
Ion Zupcu discusses his unique style of photography.
An associate professor of art at SUNY New Paltz, she engages many different media in her own art, including sculpture, collage, video, performance, and installation work.
After seeing this show by Anselm Kiefer at MASS MoCA, I’m afraid I’ll have an even harder time settling for the more arid, intellectual charms offered by Dia’s minimalism.
Beth E. Wilson reviews legendary artist Saul Steinberg’s retrospective at Vassar College’s Frances Lehman Loeb Gallery.
Photographer Susan Wides explains how she went from wax museums to rooftops.
Reflecting on the metaphorical qualities, Martin Puryear recognized a connection to progress Booker T. Washington encouraged blacks to adopt in the nineteenth century.
f-Stop Fitzgerald is an early chronicler of the punk scene in San Francisco. His photo exhibition “Rockers Shot Onstage!” at the Rosendale Cafe opens November 31.
Beth E. Wilson grapples with celebrity in contemporary art as she reviews the exhibitions of artists, Jo Andres and Keith Edmier.
Cave Dogs discuss their collaborative creative process.
Beth E. Wilson previews “Outdoor Sculpture Installations at Saunders Farm.”
The great thing about being an artist is this: All the things you’ve done, all the pictures you’ve made, they’ll stay and say what you wanted to say.
Documenta 12 has been subject to some of the most scathing criticism I’ve ever seen for a major art exhibition (aside from a few editions of the Whitney Biennial).
Sarah Greer Mecklem is an artist whose life and career have always been intricately intertwined with the history and—more importantly—the experience of the Hudson Valley.
“Bivouac” takes a witty, somewhat arch approach to art, inventiveness, and imagined survivalism, while “Paths: Real and Imagined” gravitates toward an archetypal/metaphorical reading of its stated theme.
Dutchess County resident Pamela Wallace has crafted for herself a life with a single organizing principle—the sheer act of making.
Without a doubt, the sheer intensity of experience available at the Ulster County Jail is unmatched anywhere else in the Biennial.
Linda Montano has explored art, life, and spirituality in her innovative performance work for almost 40 years.
A provocative installation of minipaintings by Lucio Pozzi at BCB Art in Hudson this month.
Abstraction just ain’t what it used to be.
If the world is to be saved, it’s people like Cannon Hersey who will spearhead the effort.
George Quasha is something of a latter-day Renaissance man, with a wide-ranging list of accomplishments as a publisher, a poet, an artist, and an all-around inquiring mind.
Think of how often we seem to revel in the image of our own destruction. We seem, as a culture, to have fully embraced what Freud identified as the “death drive,” the erotics of Thanatos.
MoMA is a public institution, funded with PLENTY of public funds…we ought to know what the management is being paid.
A new show of prints by 19th century Japanese artist Chikanobu.
Debunking the myths behind juried art shows.
Reason #278 to be extremely dubious about any aesthetic pronouncements you hear coming from New York….
There are only a few weeks left for you to get down to the City to see the Metropolitan Museum’s astonishing exhibition “Glitter and Doom: German Portraits from the 1920s”.
Beth E. Wilson shows why McWillie Chambers’s sketches are much more than “identity politics”.
Chronogram’s longtime art critic discusses her blog’s intentions.
Beth E. Wilson reveals how discomfort drives artist Ann Haaland’s work.
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